It didn't feel good putting the Carlos up for sale. It felt like a sort of betrayal - that I’d
stabbed the narrative of this journey in the back. The sense of perfidy was mollified by the bad
weather and the lack of opportunity to reacquaint myself with the quality of
ride that the Carlos is undoubtedly capable of delivering. I’d also been thinking about the Romani
Prestige.
A day or
so after my visit the Vicini dropped in price, levelling out at around £500 –
about what I considered to be the limit of my expenditure. The Man Who Worked On Lathes had said that
he’s let me have the Romani for £445, and it was toward this more traditional
looking machine that I inclined, irrespective of the £65 saving. I would need to take the bike for test-ride
to be sure, but the measurements seemed to make more sense: if I adjudged the
Carlos to be a little cumbersome then I’d need something smaller.
It was to be exactly two weeks before I had the
opportunity to return to Highgate and ride the Romani Prestige around the block,
in temperatures that were cruel and would soon give way to a sustained delivery
of snow. The bike
felt to be of an appropriate size, although the make-shift pedals and low
gearing were prohibitive in terms of making any credible evaluation. It was enough to convince me that we could
have a future together. Besides,
the Vicini had since found a buyer.
We worked
through the finer points of restoration, the Man Who Worked On Lathes and I,
and it was settled and I laid down a deposit of £100.
A bit about Romani bicycles:
‘Romani was a company based in the
town of Sala Baganza in the province of Parma. It was rather a big and well
respected builder. Established in 1924,
the company had its peak in the mid 1970s (and) up to mid 1980s. Surprisingly, you rarely saw many bikes with
the Romani brand because much of their production was third party frames. Virtually any shop in the Parma/Reggio
Emilia/Modena area that had a shop brand, but who did not build in-house, would
have bought from Romani. They also built
for many exporters. It is said that the
two Romani brothers were involved with the Colner production and also had a
collaboration with Colnago. Catalogues
show that Romani made frames of Columbus SL, SLX, TSX tubes or Reynolds tubing. They closed down in the early 1990s.’
The Man Who Worked On Lathes told
me how he’d acquired it from a dealer who used it for his window display. The Dealer hadn't wanted to part with it, but
The Man Who Worked On Lathes persuaded him to on account of the business he had
just pushed his way. The Dealer claimed
that the bike was a replica of one ridden in the Tour De France. I doubt there’s any way of verifying this but it does look to be cut from relatively
decent stuff: Cinelli stem; Shimano 600 crank-set and head-tube; Campagnolo brakes, hubs and
seat/chain stays; Wolber rims; Columbus tubing. I know that it is Columbus tubing because of the avian company insignia stamped on the bottom-bracket.
I was looking forward to taking the Romani home, but I
also wasn't. For one, I’d yet to find a
buyer for the Carlos. More
significantly, I was starting to get really rather bored with cycling being my primary
focus in life. It’s almost as much as I
can do to write this, because writing about something that one finds a bore is
doubly boring.
I don’t think it’s the act of cycling that has given
way to this ennui, because I've not had much time for that of late. What I can’t bear the thought of this is
having to sell that Carlos-Galli jersey (now surplus to requirements), or of confronting
my aversion to helmets, and of having to invest more time tweaking another
bicycle and suffering bouts of euphoria and despair in turn: is my new bike too
big or too small; should I have held out for something else; was white bar-tape
really a good idea? I want it all to be over, folks, this
preparatory stage: no more hunting for bike locks, front lights, cycling
shorts, socks, helmets, bidons, bidon cages, “mitts”, saddle bags, technical
jackets, CO² inflators, or actual bikes. I want to spend £49 on a new La Vie Claire jersey and be done
with it, and I want April to deliver the sort of weather it’s supposed to so I can start
training for the London to Brighton and at least take pleasure in the act of
getting fit. Even the Paris-Roubaix failed to stir the excitement
I’d hoped for – not because it wasn't a good race, but because I've begun to
lose some interest.
What I really
need, I think, is to start spending time riding with my team – or at least a
member of. Finding a buyer for the
Carlos might help, too. Incidentally,
its picture appears in the latest edition of Urban Cyclist on the page entitled ‘What are you
Riding’ (no question mark). I submitted an image after
browsing through the last issue in WH Smiths. I couldn't really say why I did this, because it seems to me now a slightly odd
thing to do. Regardless, it provides a handy
tag-line with which to revitalise my advert for the Carlos: ‘As featured in
Urban Cyclist Magazine’.
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